The concerto grosso (;

Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...

for ''big concert(o)'',

plural The plural (sometimes abbreviated pl., pl, or ), in many languages, is one of the values of the grammatical category of number. The plural of a noun typically denotes a quantity greater than the default quantity represented by that noun. This de ...

''concerti grossi'' ) is a form of

baroque music Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transiti ...

in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''

ripieno The ripieno (, Italian for "stuffing" or "padding") is the bulk of instrumental parts of a musical ensemble who do not play as soloists, especially in Baroque music. These are the players who would play in sections marked ''tutti'', as opposed to s ...

'', ''

tutti ''Tutti'' is an Italian word literally meaning ''all'' or ''together'' and is used as a musical term, for the whole orchestra as opposed to the soloist. It is applied similarly to choral music, where the whole section or choir is called to sing. M ...

'' or ''concerto grosso''). This is in contrast to the

solo concerto A solo concerto is a musical form which features a single solo instrument with the melody line, accompanied by an orchestra. Traditionally, there are three movements in a solo concerto, consisting of a fast section, a slow and lyrical section, and t ...

which features a single solo instrument with the melody line, accompanied by the orchestra.

History

The form developed in the late seventeenth century, although the name was not used at first.

Alessandro Stradella Antonio Alessandro Boncompagno Stradella (Bologna, 3 July 1643 – Genoa, 25 February 1682) was an Italian composer of the middle Baroque period. He enjoyed a dazzling career as a freelance composer, writing on commission, and collaborating with ...

seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was

Arcangelo Corelli Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of ...

. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani,

Pietro Locatelli Pietro Antonio Locatelli (3 September 1695 in Bergamo – 30 March 1764 in Amsterdam) was an Italian Baroque composer and violinist. Biography Bergamo Little is known about Locatelli's childhood. In his early youth he was the third violinist ...

, Giovanni Benedetto Platti and

Giuseppe Torelli Giuseppe Torelli (22 April 1658 – 8 February 1709) was an Italian violist, violinist, teacher, and composer of the middle Baroque era. Torelli is most remembered for contributing to the development of the instrumental concerto., especially co ...

wrote concertos in the style of Corelli. He also had a strong influence on

Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...

. Two distinct forms of the ''concerto grosso'' exist: # the '' concerto da chiesa'' (church concert) # the '' concerto da camera'' (chamber concert) The ''concerto da chiesa'' alternated slow and fast movements; the ''concerto da camera'' had the character of a suite, being introduced by a prelude and incorporating popular dance forms. (See also

Sonata Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cant ...

for a discussion about sonatas '' da camera'' and ''

da chiesa Sonata da chiesa (Italian: "church sonata") is a 17th-century genre of musical composition for one or more melody instruments and is regarded an antecedent of later forms of 18th century instrumental music. It generally comprises four movements, t ...

''.) These distinctions blurred over time. Corelli composed 48

trio sonata The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic str ...

s, 12 violin and continuo sonatas, and 12 concerti grossi. Six sets of twelve compositions,

published Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ...

between 1888 and 1891 by

Friedrich Chrysander Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a ...

, are authentically ascribed to Corelli, together with a few other works. * Opus 1: 12 ''sonate da chiesa'' (trio sonatas for 2 violins and continuo) (Rome 1681) * Opus 2: 12 '' sonate da camera'' (trio sonatas for 2 violins and continuo) (Rome 1685) * Opus 3: 12 ''sonate da chiesa'' (trio sonatas for 2 violins and continuo) (Rome 1689) * Opus 4: 12 ''sonate da camera'' (trio sonatas for 2 violins and continuo) (Rome 1694) * Opus 5: 12 ''Suonati a violino e

violone The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted ...

o cimbalo'' (6 ''sonate da chiesa'' and 6 ''sonate da camera'' for violin and continuo) (Rome 1700) The last sonata is a set of

variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individua ...

on ''La Folia''. * Opus 6: 12 concerti grossi (8 concerti da chiesa and 4 concerti da camera for concertino of 2 violins and

cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...

, string

, and continuo) (

Amsterdam Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the Capital of the Netherlands, capital and Municipalities of the Netherlands, most populous city of the Netherlands, with The Hague being the seat of government. It has a population ...

1714) Corelli's ''concertino'' group consisted of two violins and a cello, with a string section as ''ripieno'' group. Both were accompanied by a ''

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

'' with some combination of harpsichord, organ, lute or

theorbo The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox. Like a lute, a theorbo has a curved-back sound box (a hollow box) with a wooden top, typically with a sound hole, and a neck extending ou ...

George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...

wrote several collections of ''concerti grossi'' ( Op. 3 and Op. 6), and several of the ''

Brandenburg Concertos The ''Brandenburg Concertos'' by Johann Sebastian Bach (Bach-Werke-Verzeichnis, BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig of Brandenburg-Schwedt, Christian Ludwig, Margrave of Brandenburg ...

'' by

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

also loosely follow the ''concerto grosso'' form. The ''concerto grosso'' form was superseded by the

and the sinfonia concertante in the late eighteenth century, and new examples of the form did not appear for more than a century. In the twentieth century, the ''concerto grosso'' has been used by composers including

Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...

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Malcolm Williamson Malcolm Benjamin Graham Christopher Williamson, (21 November 19312 March 2003) was an Australian composer. He was the Master of the Queen's Music from 1975 until his death. Biography Williamson was born in Sydney in 1931; his father was an A ...

Henry Cowell Henry Dixon Cowell (; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher and teacher. Marchioni, Tonimarie (2012)"Henry Cowell: A Life Stranger Than Fiction" ''The Juilliard Journal''. Retrieved 19 June 202 ...

Alfred Schnittke Alfred Garrievich Schnittke (russian: Альфре́д Га́рриевич Шни́тке, link=no, Alfred Garriyevich Shnitke; 24 November 1934 – 3 August 1998) was a Russian composer of Jewish-German descent. Among the most performed and re ...

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, Eino Tamberg,

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Airat Ichmouratov Airat Rafailovich Ichmouratov (russian: Айрат Рафаилович Ишмуратов, Tatar Cyrillic: Айрат Рафаил улы Ишмурат,) born 28 June 1973) is a Volga Tatar born Russians, Russian / Canadians, Canadian composer ...

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and

Paul Ben-Haim Paul Ben-Haim (or Paul Ben-Chaim, Hebrew: פאול בן חיים) (5 July 1897 – 14 January 1984) was an Israeli composer. Born Paul Frankenburger in Munich, Germany, he studied composition with Friedrich Klose and he was assistant conductor t ...

. While

Edward Elgar Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestr ...

may be considered a modern composer, his romantic ''Introduction and Allegro'' strongly resembled the instrumentation setup of a concerto grosso.

Concertino

A concertino, literally "little ensemble", is the group of soloists in a concerto grosso. This is opposed to the

and

which is the larger group contrasting with the concertino. Though the concertino is the smaller of the two groups, its material is generally more virtuosic than that of the ripieno. Further, the concertino does not share thematic material with the ripieno, but presents unique ideas. This contrast of small group to large group and one thematic group against another is very characteristic of Baroque ideology—similar to terraced dynamics where the idea is significant contrast.

History

Concertino

See also

References

Further reading